![]() I no longer needed this clean look, which I now think was really a form of aesthetically-inclined OCD.Īlthough my pursuit has become producing limited edition fine art prints, I still have a passion for street photography and always will. I was free to explore other looks, and styles, and dig deep until I discovered that I really was a frustrated artist masquerading as a photographer. Suddenly, I didn’t have to corrective edit so much. ![]() When I went full frame with the Sony A7iii, I found myself in an entirely different world. And I had to rely heavily on Photoshop and third-party plugins to achieve the aesthetic I sought. At the time, I wasn’t happy at all with the prospect of anything but a very clean-looking image. In the beginning, when I crossed over into the mirrorless camera world with the Sony A6000, a good chunk of my photo editing techniques were geared toward corrective editing, mainly when it came to low light situations and battling noise. ![]() Looking back over the past seven years, I’ve never settled on a permanent photo editing workflow or photo editing app, for that matter. But to my more than a pleasant surprise, it’s more of an exception to the rule if I omit it entirely from my photo editing workflow. I initially thought that I’d be able to use this new AI stuff for a few things. My intention was to not only be able to claim that I was one of the early adopters but more importantly, see if it was something I could incorporate into my post-processing. Luminar AI was the world’s first photo editor that was powered 100% by artificial intelligence. As someone who has had to come to terms with the fact that he’s always late to the game in regard to most technical innovations, I made it a point to jump aboard the artificial intelligence ship before the official passenger list was tallied. I’ve been using Skylum’s Luminar AI, and its successor, Luminar Neo, since before the public launch dates for each of these apps.
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